For both our sakes.Liver cancer is the second leading cause of cancer-related deaths worldwide, and hepatocellular carcinoma (HCC) accounts for approximately 90% of primary liver cancer cases. The countess pales and puts her face in her hands.Ĭountess Dionne: But if the man come to visit the castle is our son-ĭuke Le Seuille: As you said, he cannot be. The one that went missing that night.ĭuke Le Seuille: Then you have no objections to our visitor?Ĭountess Dionne: Who else have you informed of this?Ī woman in a black and gold mask with crow feathers on the side enters from the servant's door. He wears my great-grandfather's scabbard. From A Compendium of Orlesian Theater, Volume II: Classics of the Storm Age by Magister Pellinarĭuke Le Seuille: It's what I do best, I'm told.ĭuke Le Seuille: I have asked about the town. A few grand clerics attempted to ban the play, saying it criticized the current state of the Chantry, but The Sword of Drakon proved too popular among the masses and the nobility and remains a staple of Orlesian theater to this day. Freyette's plays are notable for being the first to portray Orlais' founder as a man beset by doubts, as are we all, instead of an idealized cipher. After founding both Orlais and the Chantry, the charismatic young noble battled the Second Blight for the rest of his reign. It's little wonder King Drakon's life is one of the most popular tales in Orlais. From The Sword of Drakon: an Examination of the Life and History of the Father of Orlais, by Marquise Freyette King Drakon: Maker, for a soul fit to lead them! Her sacred words are all we've left! If victory spurns us, who will carry them forward? Who will bear the Chant of Light? King Drakon: Our allies are a week from Cumberland.Ĭaptain Ashan: We are aided by the Maker's word. King Drakon: We are outmatched on the field.Ĭaptain Ashan: Andraste armed us with faith. The armies wait on you.Ĭaptain Ashan: The blighted ones mass on the hill, in larger numbers than ever we've seen. King Drakon turns his crown in his hands.Ĭaptain Ashan: Hail, Your Majesty. From A Compendium of Orlesian Theater, Volume I: Introduction by Magister PellinarĪ tent. These conventions are vital to understanding the history of its finest theater, a journey I hope you will find as rewarding as I have. It is my guess that Orlesians, surrounded as they are by masks in their daily lives, both require and fully respect a place where the objects boldly display their wearers' intentions for a change.Īn appendix at the back of this volume lists the appearance and meanings of Orlais' theatrical masks. Indeed, I have rarely attended such attentive audiences than in Val Royeaux. There is a strong bond of trust between Orlesian theater troupes and their viewers. None of the actors I spoke to could explain to me the history behind this tradition, but bristled when I suggested other nations find it strange. Once donned, the mask is understood to be absolutely them. If a director believes they can sell the part, men can play dowagers, women can play dukes, and even an elf can play a king. Further complicating matters for those new to Orlesian theater, an actor's race or sex has no bearing on the parts they can play. Full white masks are reserved for roles of no clear gender, such as spirits, except for demons, whose masks must always be black and red. Half-face green masks indicate a leading male role, for example, while half-face purple masks are for primary female characters. Every actor wears a mask, and every mask follows a hierarchy of shape and colors that indicates to the audience the character's importance. The most unusual part of Orlesian theater, appropriately enough, revolves around our southern neighbor's love of masks. As performed by the bard Maryden Halewellĭragon Age: Inquisition Main article: Codex entry: A Compendium of Orlesian Theater See also: Grande Royeaux Theater Sera was never quite the wealthiest girl. 110 The Avenue of Her Reflective Thought.94 Saga of Tyrdda Bright-Axe, Avvar-Mother.75 In the Mists: Phantoms Out of Dreams.72 Hero in Every Port (Ballad of Nuggins).51 Grey Whiskey/Ritewine/Conscription Ale.25 Before Andrastianism: Forgotten Faiths.17 A Plea from the Warrior to the Spirits.
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